I often spend time in the alleyways by railway lines—the type that provide a rat run behind houses—or on the narrow paths found in housing estates that somehow should not exist, and look like nobody ever walks in them; and here I find graffiti.
Graffiti like “2 genders” and “no more rainbows”—indications that, at a certain level, the standard narrative for Western regimes has been rejected. On the underground, the genderfluid case and LGBT+ have been rejected—it’s only subterranean, for now.